Electro Techno Free Jazz #01110419, April 2019

My next Free Jazz / Electro Techno creature is 18' long piece with Deep Techno kick. I liked to add some motive and keep the whole story in some scale or tonality, or modal form.

There are some Be-Bop elements at the end, but they are accidental. I avoid any be-bop stuf and concentrate more on phrasing, storytelling and melody. And you know - that is not easy. Much easy is to close eyes and start to improvise untill "tape ends". Any idea adds rational frame, which I like to avoid.

And again: - oops, I forgot to make pauses! Were is my belovely silence? I don't need that solo on background, but dialog!

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Electro Techno + Free Jazz + Analog Guitar

Keep things simple - I tell myself everytime I sit to improvise or produce a new impro track with my guitar. And never was happy. All periods and melodies too complicated for free imagination. At first, I don't like to think beforehand what I want to play and I don't like to keep my playing scheduled. No! I'm the free poet, - I tell to myself. How CAN I be programmed to play Saint Music? I used my Fall autumn photography I shot close to my house. It indeed really describes my feelings and mood - lyrical, nostalgic, Zenish and free. Download 24bit audio: https://tobto.bandcamp.com/track/yuri-pollchenko-191119-free-jazz-guitar YouTube: https://www.youtube.com/watch?v=d1QJSuMZM8I

Seek The Opposite

If you want to achieve something, sometimes you need to seek opposite goals.

Michael Craig-Martin RA: advice for an aspiring artist

By far the most important characteristic for anyone wanting to be an artist is desire: the passionate, inexplicable desire to make art. This desire is more important than talent. To have enviable talent but qualified desire is not enough; to have little obvious talent but overwhelming desire may lead to success. Desire can be encouraged but not taught. In my experience, a driven person lacking any recognizable talent may, out of necessity, invent a way to work at which they excel. This is what we call originality. Pleasure in doing is the essential basis for making art. When you love what you do, no effort is too great, no time too long. We are all capable of doing a lot of things for a while, but not for long. Art can only come from what we are able to sustain. I would never advise anyone to become an artist. If you have another option, take it. Most people who end up as artists rarely feel they had an option. Art is the only endeavour I know that models itself around t

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